英国诺丁汉论文代写：种族
跨国生产可以被定义为资源的融合,从世界各地的许多文化和国家观念。每个种族和地理位置都有自己的专长和自主技术,更不用说文化元素。随着全球化的跨国主义的概念越来越受欢迎。这是因为全球化出现连接在许多不同的国家,不再有任何地理限制,如那些在过去。文化是在由国家作为市场交易的实体(Rivi,2007)。世界上许多国家都因此受益由跨国主义的概念和跨国分享他们的文化和文化产品。在这种情况下屏幕生产也不例外。屏幕作品时表现的一个重要媒介文化共享。民族元素的选择和介绍了屏幕产品增加娱乐价值的生产。作品也变得更有意义。种族在这里保留了市场价值。
英国诺丁汉论文代写：种族
种族可以被定义为一群人共同社会习俗(斯曼,2015)。他们遵循相似的饮食习惯,和社会互动。每一个。种族都有自己的社会文化和的习惯,使他们有别于其他文化。特定的种族人民的世界观从社交教养。不同种族的人聚集在一起时他们可以从不同的角度看待这个世界。鉴于这种背景和意义的种族和种族的应用程序,并使用跨国大制作影片,本文分析种族是如何推断与跨国屏幕生产。电影“功夫”和“新娘和偏见”作为两个例子从现有文献分析这篇文章。
英国诺丁汉论文代写：种族
Transnational production can be defined as the amalgamation of resources and notions from many cultures and countries across the world. Each ethnicity and geographical location has its own expertise and indigenous technology, not to mention cultural elements. With the advent of globalization the concept of transnationalism is gaining popularity. This is because the globalization advent connects across many different nations; there are no longer any geographic restrictions such as those that were present in the past. Culture is traded in by nations as a marketable entity (Rivi, 2007). Many countries around the world are hence benefitted by the concept of transnationalism and the transnational sharing of their culture and cultural products. In this context screen production is no different. Screen productions are an important medium of representation when it comes to cultural sharing. Ethnic choices and elements are presented in screen productions which increases entertainment value of the production. The productions also become more meaningful. Ethnicity here retains a marketable value.
英国诺丁汉论文代写：种族
Ethnicity can be defined as a group of people who share common social conventions (Crossman, 2015). They follow similar habits of eating, speaking and social interactions. Each .ethnicity has their own social cultural and distinguishable habits that set them apart from other cultures. The people of a particular ethnicity view the world from their social upbringing. When people of different ethnicities are brought together they can view the world from different perspectives. Given this context and meaning of ethnicity and the application and uses of ethnicity in transnational screen productions; this essay analyzes how ethnicity has been theorized in relation to transnational screen production. The movies ‘Kung Fu Hustle’ and ‘Bride and Prejudice’ are used as two examples from existing literature analysis to present this essay.
