本篇文章的主要内容是对诺曼早期空间的解说，是由我们英国论文代写价格平台提供。下面我们一起来看看它主要讲的什么。
英国论文代写价格：诺曼早期空间的解说
事实上，诺曼的早期空间可以用现象学意义的存在来说明。例如，一个理想的空间既可以次客观地表现身体。也就是说，它是一个“结构”，不仅通过身体的运动，而且通过感知它的个体的“凝视”而成形。这意味着运动的周围空间可以解释为观察物体的三维、灵活的投影(Basualdo和Taylor, 2009)。在梅洛-庞蒂的思想、身体，作为主体和客体的综合，总是以不同的方式感知世界。因此，Nauman的过程工作和身体现象学可以被认为是现代空间概念的实践和理论基础，比如精神的“属性”，或者是引导我们感知世界的装置的一部分(Basualdo和Taylor, 2009)。
英国论文代写价格：诺曼早期空间的解说
根据梅洛-庞蒂的观点，想象可以被认为是通往存在的隐藏维度的特权通道，这被称为“无形”。这可以想象，但看不见。他试图把可见的现实和无形的想象，作为两个分离但相对应的领域。它们在一般存在的层面上是分离的，但在基本存在的层面上是一致的。这种对应甚至适用于人体的性质，包括它的运动。它不是“实用的，功能性的，平凡的身体来解释人，相反，身体恰恰是人类的程度，发现其象征性和诗意的电荷”(科尔尼，1991，第114页)。在现象学的基础上，诺曼还注重可见性与不可见性之间的对应关系。身体的运动是一种状态，在这种状态下，感官被给予，而感官又从这种状态中产生。
英国论文代写价格：诺曼早期空间的解说
然而，抽象的运动是如何在我们的脑海中呈现的呢?当凝视的主体与造型空间的客观形态相遇时，视觉效果就会出现在重构过程与作品的物理特征的重叠之中。在看东西的时候，如果在身体和物体之间有一个看不见的屏幕，我们的心理图像，由个人经验牵引，就会投射到这个屏幕上。然而，在这种情况下，没有任何心理意象可以用来比较。也就是说，我们的想象只能被我们自己的主体感知(梅洛-庞蒂，1945年，第303页)。与Merleau-Ponty和Nauman的共同理念类似，我的无形的身体运动感也是通过观者的想象给予的，这种想象是建立在塑造空间的可见效果之上的。
英国论文代写价格：诺曼早期空间的解说
In fact, Nauman’s early space can be illustrated with the presence of phenomenological meaning. For instance, an ideal space can both sub-objectively represent the body. Namely, it is a ‘construction’ that takes shape not only through the movement of the body, but also throughthe ‘gazing’ of the individual who perceives it. It means that the surrounding space of the movement can interpret itself as a three-dimensional, flexible projection of the observing body(Basualdo and Taylor, 2009). In Merleau-Ponty’s idea,body, asa synthesis of subject and object, always perceives the world in various ways.Therefore, Nauman’s process worksand the phenomenology of body could be considered as practical and theoretical foundations of the modern concept of space, such as a ‘property’ of the mind, or a part of the apparatus which guides usto perceive the world (Basualdo and Taylor, 2009).
英国论文代写价格：诺曼早期空间的解说
According to Merleau-Ponty, imagination can be believed as a privileged pathway to the hidden dimensions of being, which is called “the invisibility”. It could be imagined but not seen. He attempts to establish the visible reality and the invisible imaginary as two separate but corresponding realms. They are separate on the level of ordinary being but they correspond on the level of fundamental being. Such correspondence is even suitable for the nature of human body including its movement. It is not “the utilizable, functional, prosaic body which explains man, on the contrary, the body is precisely human to the extent that discovers its symbolic and poetic charge” (Kearney, 1991, p.114).Based on phenomenology, Nauman is also focused on the idea of correspondence between the visibility and invisibility. The bodily movement is that state in which sense is given and out of which sense emerges.
英国论文代写价格：诺曼早期空间的解说
However, how is the abstracted movement present in our mind? When a gazing subject and the objective shape of the moulding space meet each other,the visual effect will appear in the overlap between the reconstructed process and the physical character of the work.At the moment of looking at something, if there is an invisible screen located between the body and the object, our mental image, which ispulled by personal experience, is projected on this screen. However, there are no mental image which can be used to compare in this context. Namely, our imagination is only perceived by our own subject (Merleau-Ponty, 1945, p.303). Similar to the common idea between Merleau-Ponty and Nauman, the sense of my invisible bodily movement is also given by viewer’s imagination, which is based on the visible effect in the moulding space.
