英国论文代写被骗：绘画
绘画可以分类，并根据其中所体现出的人格化和人性化的程度来识别相似性和不相似性。在Duccio的麦当娜中，很多人文主义的流派都很流行，并且可以通过仔细观察这幅作品来观察。有麦当娜穿的那种柔软的褶皱。这张垂褶落在孩子的腿上（Enthroned Madonna and Child）。这些服装已经完成了发光的颜色和面纱的内层也有细节。当时没有人注意到这些细节是由Duccio照顾的。这些观点使他的绘画成为这个时代学生的一个研究点，他的绘画是青年艺术学生讨论的话题。豆，雅各布和格里斯沃尔德（35-45）的作品中突出强调了人类接触的使用突出了各种表情，并且向着麦当娜在孩子身上制造的阴影和保护图标挥手致意。
英国论文代写被骗：绘画
相反，在拉斐尔画的麦当娜画的细节有一个令人难以置信的复杂性。圣彼得穿了一条黄色的帷幔，里面有一条缓慢而感性的曲线。其他圣人和女性的身材都有节奏。整个画面的表面有一种肉色，这幅画有几乎难以忍受的纯洁和深度。因此，列举这些特征将使这幅画成为绘画中的一个新发明，但拉斐尔已经把我们带回整个作品中。它已经能够指出，在Raphael（Damiani等人，363-371）的绘画中，光线已经被放在不同的方面。这对于学生来说是有利的，因为学习如何简单地改变颜色，或者专注于特定的方向，可以对绘画的意义产生巨大的影响。因此，两位艺术家之间的差异及其认知可以通过颜色本身以及绘画中所描绘的方向来加以识别和验证。
英国论文代写被骗：绘画
The paintings can be categorised and the similarities and dissimilarities can be identified on the basis of the intensity of personification and human touch that have been infused in them. In Duccio’s Madonna many touches of humanism are prevalent and can be easily observed on looking at the painting closely. There is tender drape that Madonna has worn. This drape goes down to the child’s lap (Enthroned Madonna and Child). The garments have been done with luminous colours and the inner layer of the veil also has fine detailing. These minute details were taken care of by Duccio at that time when nobody noticed them. These points only made his painting a point of research for the students of this age and his painting is a topic of discussion among young art students. It has been highlighted in the works of Bean, Jacob and Griswold (35-45) that the use of human touch highlights the variety of expressions and also waves towards the shadow and protective icon that is framed by Madonna on the child.
英国论文代写被骗：绘画
On contrary, in the Madonna painted by Raphael, there is an incredible complexity in the details of the painting. Saint Peter has worn a yellow drapery that has a slow, sensuous curve in it. There is rhythm in the quills held by other saint and a female figure. There is a fleshy tone in the surface of the entire tableau and the painting has a palette of almost unbearable purity and depth. Thus, this enumeration of such features will make this painting a new invention among pictorial features but Raphael has led us back to the painting as a whole in his work. It has been able to point out that the light has been thrown on different aspects in the painting by Raphael (Damiani et al. 363-371). This would be advantageous for the students to learn how a simple change in colour or focus on a particular direction can have a tremendous effect on what the painting suggests. Thus, the difference in the two artists and their perception can be identified and verified through the colours itself and also the direction portrayed in the paintings.
