11月 28, 2018

英国论文抄袭后果:古典萨克斯手球员

英国论文抄袭后果:古典萨克斯手球员

不管我们以前古典萨克斯手,横笛吹奏者甚至黄铜的球员,我们需要学习的技术作为爵士乐萨克斯管吹奏者实际上是相同的。古典萨克斯手的唯一优势是基础技术如手指或姿势。其他技术,他们仍然需要学习从零,就像其他演奏家需要学习什么。因此,实际上是没有捷径的多方面的萨克斯。唯一的方法是多练习。

英国论文抄袭后果:古典萨克斯手球员

它可以同意约翰科特雷尔(2013)说,“这是非常困难的,这并不意味着它不能工作”。是一个多方面的萨克斯是技术上的工作。但是我们必须非常注意技术的差异,避免将一个人的声音。它需要长时间的练习。这是一个必须为萨克斯,是值得花那么多时间是一个多才多艺的球员?它是当今市场需求什么?因此,它已被进一步研究。

英国论文抄袭后果:古典萨克斯手球员

No matter we were formerly classical saxophonists, flautists or even brass players, the techniques we need to learn for being a jazz saxophonist are actually the same . The only advantages for classical saxophonists are the fundamental techniques like fingering or posture. For the other techniques, they still need to learn from zero, just like what the other instrumentalists need to learn. Therefore, there is actually no shortcut of being a multi-faceted saxophonist. The only way is to practice more.

英国论文抄袭后果:古典萨克斯手球员

It can be agreed with John Cottrell (2013) said, “It is very difficult, that doesn’t mean that it can’t work”. Being a multi-faceted saxophonist is technically work. Yet we have to be very aware of the differences in techniques and avoid bringing one’s sound to another. It requires a long time of practicing. Is it a must and is it worthy for saxophonist to spend that much time to be a multi-faceted player? Is it what the market needs nowadays? Thus, it had been left to the further researchers.

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