28 11 月, 2018

英国毕业论文:古典和爵士萨克斯管乐器不同的建议

英国毕业论文:古典和爵士萨克斯管乐器不同的建议

这是印第安纳大学的托马斯·沃尔什博士建议”当我还是学生时,我试图将两种风格不同的在我脑海中想的古典萨克斯和爵士乐萨克斯管是两种不同的乐器”。

英国毕业论文:古典和爵士萨克斯管乐器不同的建议

正如之前提到的,设备,古典和爵士萨克斯管乐器和技术几乎是在两个不同的系统。他们中的许多人是相互矛盾的。当然,他们仍然分享一些基本技能如姿势、指法、呼吸等情况类似于铜管乐器。所有的铜管乐器共享相同的指法系统和类似的河口。但他们每个人仍然具有独特的音色、技术和管乐器的略有不同。有相当多的重量级人物可以由一个铜管乐器玩得很好。他们仍有适应和了解不同的切换时仪器。“尽管古典和爵士乐萨克斯管是相同的工具,他们几乎是两个不同的乐器”约翰科特雷尔(2013)。它也指出,重叠区域的练习可以帮助我们节省时间两种风格。

英国毕业论文:古典和爵士萨克斯管乐器不同的建议

Here is a suggestion of Dr. Thomas Walsh from Indiana University “When I was student, I tried to keep the two styles separate in my mind by thinking of classical saxophone and jazz saxophone as two different instruments”.

英国毕业论文:古典和爵士萨克斯管乐器不同的建议

As stated before, the equipment, embouchure and techniques of classical and jazz saxophone are almost in two different systems. Many of them are conflicting. Of course, they still share some fundamental skills like posture, fingering, and breathing etc. The situation is similar to brass instruments. All the brass instruments share the same fingering systems and similar embouchures. Yet each of them still has unique timbre, technique and slightly difference of embouchure. There are quite a lot of maestros that can play very well by one brass instrument. They still have to adapt and be aware of the differences when switching instruments. “Even though the classical and jazz saxophones are the same instrument, they are actually almost two different instruments” John Cottrell (2013). It has also been stated that the overlapping areas can actually help us to save time of practicing in two styles.

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