As indicated by the eighteenth century facts, the reasonable description of that era can be easily provided in the form of the musical era. The various composers of various nationalities and the temperaments can be easily identified in this era. This is represented to be structurally and stylistically similar which is earned important respects for the musicians. This justification is provided in the form of the twentieth-century musicians compare, and contrast with the explanation proved to be similar as of the style and the structures. The criticism regarding the music established two opposing groups which are depicted to be off neo-classicists and the progressive. The neo-classicists characteristics are indicated to be the Stravinsky, and the progressive characteristics were depicted to the Schoenberg. This is explaining the determination of the historical developments, and it was presented in the late nineteenth century chromaticism. Therefore, the neoclassical music is defined to be consisting of static, simple and the objectives which enhanced the classical ideals for the purpose of proportion and balancing. The progressive structure of music is found to be explaining the complex, developmental and the emotional impressive characteristics which are explaining the traditions regarding the romanticism. Therefore, the Stravinsky realized the importance and establishment of the new forms of music than refitting the old ships (Cook, 2010). This simply can be explained from the view of the Schoenberg and the new forms of the travel modes can be easily composed. Thus, the method of composing the tone can be easily comprehended and the historical trend can be easily kept on the track by providing the proper direction to the work. According to the explanation provided while composing with pleasure, Schoenberg declares that it is becoming the duty and the part of the life through which the feelings can be easily expressed with constructing new innovative. Hence, the fulfilment of the composing processes which is enabled to establish the sense of compulsion and the weight of the past pushing is continued and it was revealed in the previous history.
In the 20th century, the classical music genius Arnold Schoenberg and Igor Stravinsky were the two great rivals of each other. The followers of Schoenberg believe that twelve-tone music of him attracts music lovers. The followers of Stravinsky believe that the songs are made in a unique style that gives a new experience to the listener. The Schoenberg had put the focus on the minor chords and major wimpy in his harmonies while framing the first atonal music. He wrote music in which timbres of instruments were important than melody or chords, a device called by him being sound colour melody. Stravinsky arranged rhythm in the Hadrons Collider and assembled all the smallest particulars. The composers were guided by him like Pergolesi and Tchaikovsky. A precise notation of Schoenberg depicted that he counts the pitches and he had written music for an actress. The thinking of the both the musician was different and their way of creating music. The effect of the music was fine consistently, and the speech songs were much more speech than the song. The five instrumentalist voices were virtuoso and contributed to the performance of power and richness (Kirgiss, 2005). At the piano, Jeffrey Swann alternated the extreme thundering power and delicacy. The players in the concert contribute their efforts to entertain people. The similarities between the two musicians are that they were interested in paintings and influenced by aesthetics.
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