二月 15, 2017

英国波顿大学论文怎么写:电影的发展

英国波顿大学论文怎么写:电影的发展

功夫电影是代表民族的成功方面表示在跨国电影。这部电影是中国电影的新作物的一个例子在成功超越国界。这也增加了生产公司的利润由于这部电影的释放。索尼另一方面想进军中国电影和了解市场的脉搏。这也帮助索尼公司的发展。这就是跨国电影院是如何工作的。他们帮助利益相关者的增长的电影。这些电影的长期影响将是改善全球许多国家的经济。纯粹从货币角度看跨国电影院将赚更多的钱比电影院都专注于当地人群和特定的种族。因为这个因素在吸引投资者和跨国电影院将增长更多这样的电影将在未来(克莱因,2007)。Klein表示的跨国生产和民族表示对经济是一个概念,是在当前时代多理解。Leeman & Modan(2010)现在有一个商品化的空间为销售创造元素,产品和服务的文化和种族。当不同国家的技术进步是融合在一起的娱乐还可以创建一个全新的类型。前发布的电影《功夫》有一种自卑的感觉中国电影的质量。

英国波顿大学论文怎么写:电影的发展

中国电影在中国上映了后座好莱坞电影时被释放了。某种意义上说,好莱坞电影有更好的资源和更好的故事情节在中国的人。电影功夫打破这些意识形态灌输给人们的思想,一个好的电影总是受欢迎的。好莱坞电影也要有一个在国外建立基地扩大他们的利润率。跨国电影体现不同种族的助手所有的利益相关者参与电影制作的企业。他们被证明是有利可图的企业为当地和外国公司。所以跨国生产企业,中国电影能够更好的销售文化元素。文化商品是更好的收到通过媒体和电影市场(Leeman & Modan,2010)。功夫这部电影能够超越国界,进入未知的外国市场。索尼这样的外国公司在中国成为家喻户晓的名字和中国本土制作公司在全球获得由于这部电影。这本身是一个有趣的发展。这证明了公司是如何通过这种风险中受益。电影的成功在各方发展有帮助。这证明世界影院接受不同种族和他们的文化。由于在电影院全球化成为可能。

英国波顿大学论文怎么写:电影的发展

The Kung Fu Hustle is a movie that represents the success aspect of ethnicity representations in transnational movies. This movie is an example of the new crop of Chinese movies having success beyond borders. This also increases the profit margins of the production company owing to the release of this movie. Sony on the other hand wanted to foray into the Chinese cinema and understand the pulse of the market. This also aids in the development of Sony Company. This is essentially how transnational cinemas work. They help in the growth of the stakeholders of the movies. The long-term effect of these movies would be improvement in the economy of many countries across the globe. Purely from looking at a monetary angle transnational cinemas will make more money than cinemas that are focused on the local crowds and specific ethnicities. Because of this factor the transnational cinemas will grow in appeal to the investors and more such movies will be made in the future (Klein, 2007). Klein’s representation of transnational production and ethnic representations being good for the economy is a concept that is much understood in current times. Leeman, & Modan, (2010) present how there is a commoditized space created for selling elements, products and services of culture and ethnicity. When technological advancements of the different countries are fused together they can also create a whole new genre of entertainment. Prior to the release of movies like Kung Fu hustle there was a feeling of inferiority in the quality of Chinese movies.

英国波顿大学论文怎么写:电影的发展
The Chinese movies that were released in China took a backseat when a Hollywood movie was released. There was a sense that the Hollywood movies had better resources and better story line amongst the people of China. Movies like Kung Fu hustle broke these ideologies and instilled in the minds of the people that a good movie is always welcome. Hollywood movies also want to have an established base in foreign countries to widen their profit margins. Transnational movies that embody the different ethnicities aide all the stakeholders involved in the movie making businesses. They are proving to be lucrative ventures for the local as well as the foreign companies. So with the transnational production ventures, the Chinese movies are able to better sell cultural elements. Cultural commodities are better received through the media and movie markets (Leeman, & Modan, 2010). The movie Kung Fu Hustle was able to move beyond borders and break into the unknown foreign markets. A foreign company like Sony became a household name in China and a local Chinese production company gained global recognition owing to this movie. This in itself is an interesting development. This proves how the companies were benefited by this venture. The success of the movies has aided in all the parties development. This proves that the world cinemas accept the different ethnicities and their cultures. Owing to globalization in cinemas this has been made possible.

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