新西兰奥克兰大学论文代写：电视收视率
Peep show更不受欢迎，以获得真正的收视率。然而，一个忠实的粉丝群却是这部剧真正获得的。如今，电视已经成为广泛分享图片和传递信息的关键来源。在《窥视》中所呈现的象征性影响，暗示了他们在塑造观众感知、引导观众和社会行为方面的影响。根据当代的使用和满足理论，在POV的背景下，有5个一般的假设(Bruzzi 2006)。这些假设是包容性的沟通行为,包括选择媒体,个人主动选择和使用的车辆通信感到欲望满足,社会和心理因素主机调解人们的沟通态度和媒体与其他类型的通信选择竞争,获得关注和满足需求。
新西兰奥克兰大学论文代写：电视收视率
当应用到Peep Show和Marion和Geoff Show的角度时，使用和满足理论支持对观众的动机和他们的倾向的承认(Bullert 1997)。另一方面，这个理论把这些节目放到了大量的通信片段上，让观众可以看到人们在选择媒体内容时经常处于积极参与的状态。根据Jagodozinki,2003年，现实类型的流行依赖于视频驯化和POV的镜头，以及其他帮助受众成为内容生产者的技术(Nabi et al 2003)。这也使观众能够捕捉预期的内容，从而提供不同元素的特定口味的内容(Francke 1996)。这仅仅是对《模拟世界》和真人秀节目《佩普秀》、《马里恩》和《杰夫》等真人秀的推理。
新西兰奥克兰大学论文代写：电视收视率
Peep show was more off-killing to obtain a real hit in ratings. A fierce loyal fan base however was what the show actually obtained. It is a common agreement that television has today become the key source for sharing images broadly and for transferring messages. The symbolic impacts present in Peep show implied their influence in shaping the perception of the viewers and directing it along with the behaviour towards people and the society. According to contemporary, Uses and Gratification theory in the context of POV shots, there are 5 general assumptions (Bruzzi 2006). These assumptions are inclusive of behaviour to communicate, inclusive of selecting media, individuals taking initiative to select and using the vehicles of communication for satisfying the felt desires, social and psychological factors host mediating the communication attitude of people and media competing with other types of communication to select, gaining attention and gratifying the requirements.
新西兰奥克兰大学论文代写：电视收视率
When applied to the perspective of Peep Show and Marion and Geoff show, Uses and Gratification theory supports the acknowledgement of motives of the viewers and their predisposition (Bullert 1997). On the other hand, the theory places these shows on large range of communication segments that are available for the viewers with the acknowledgement that people are often in active engagement when selecting the content of media. According to Jagodozinki, 2003, the reality genre popularity depends upon video domestication and POV shots as well as other technologies that help audience to be producers of the content (Nabi et al 2003). This also allows the viewers the ability of capturing what is not expected and therefore providing content with specific taste of different elements (Francke 1996). This is the mere reasoning behind the higher preference of mockumentaries and reality TV shows such as Peep show and Marion and Geoff.
