美国华盛顿论文代写:现代主义
20世纪的画廊房间还展示了对家具的现代主义解读。观察了这些时代在家具方面的创新。在两个房间中发现的相似性。这些被认为是对当代现代主义解释的论述。在20世纪的画廊里有一些简约的主题。例如，Polyprop椅子是由英国设计师Robin Day于1967年设计的。这种便宜的弹性材料已用于椅子的生产，并在博物馆展出（Macdonald，2011）。除此之外，还展出了一些椅子。椅子有一个有趣的多彩排列。每一个都被用来显示不同的家具的现代主义解释。这是为了解释这些作品是极简主义的还是现代主义的解释。药柜和单桌是在房间里观察到的简单化极简主义运动设计的例子。这个博物馆里有1950年以后的家具。
美国华盛顿论文代写:现代主义
在设计博物馆，展出的家具是从20世纪80年代起。有批评家具中的大众消费。还有一些与现有家具设计不同的元素和艺术家作品。这些艺术品的显着特点是家具往往不同于现有的家具设计理念。极简主义设计也被发现在这些艺术作品中散文。这些作品没有按时间顺序排列。这表明该安排是为了视觉美观。它也以人们可以同时查看许多安排的方式进行安排（Horst and Miller，2013）。家具都没有堆叠在一起。其他文物的混合物与这个时代产生共鸣。这些是设计室和20世纪画廊室的作品中存在的主要差异。
美国华盛顿论文代写:现代主义
20th Century gallery room also showcases modernist interpretation of the furniture. The innovations of these eras with respect to the furniture’s are observed. The similarity that has been found in the two rooms. These are considered to be a treatise to the contemporary modernist interpretation. There are minimalist themes that are observed in the 20th Century gallery room. For example, the Polyprop chair was designed by British designer Robin Day in 1967. The cheap resilient material has been used for the production of the chair and this is showcased in the museum (Macdonald, 2011). Apart from this, a number of chairs are on display. There is an interesting colourful arrangement of the chairs. Each one is used to show the different modernist interpretations of the different furniture. This is to explain the the works were minimalist or modernist in interpretation. The medicine cabinet and the mono table are examples of the simplistic minimalist movement designs that are observed in the room. There are furniture’s that were from 1950 onwards in this museum.
美国华盛顿论文代写:现代主义
In the Design museum, the furniture that are showcased is from 1980s onwards. There is critique of the mass consumerism in the furniture. There are also a number of elements and artist works that different from the existing furniture design. The distinctive feature of these artworks was that the furniture tends to be different from the existing ideologies of furniture design. The minimalist designs are also found be essayed in these artistic works. There is no chronological arrangement of the works. This shows that the arrangement was done to be visually aesthetic. It is also arranged in a manner where the people can view many arrangements at once (Horst and Miller, 2013). The furniture’s are all not stacked together. There is a mixture of the other artefacts that resonates with this era. These are the key differences that are exist in the works of the Design room and the 20th Century gallery room.
