美国哈弗大学论文代写：摄影艺术
根据照片桑塔格(1973)被认为是宝贵的历史证据,因为它是一个主要的艺术形式,给人类一个潜意识的回忆和记忆相关的事件及相关照片,让人们享受那一刻经过多年。它是一种非侵入性的方法显示隐形的现实背景。等人类情感幸福,疼痛或爱或给予宽容与现实永远无法理解,在一个照片。支柱没有情感和表达着他们,这是观众推断有关的感情(桑塔格,1973)。这张照片有隐藏的元素,如外面的人在做什么,附近的一块岩石上,在自然界中以散乱的形式等这些答案或背景是隐藏的,实际上这就是吸引观众看近了。
美国哈弗大学论文代写：摄影艺术
怀旧是主要的方面反映在这张照片,因为它隐藏了人类情感像痛苦和痛苦或恐惧遭受闪闪发光的眼睛反映在照片。怀旧的存在,因为人类将以前也经历了类似的情绪。它可以看到和感觉,但它的情况感到不能很容易地联系在一起。这是一个讲述故事的迹象一块人气嵌入到每一个人的生活。摄影促进怀旧(桑塔格,1973)。桑塔格进一步指出,感伤的感觉被提倡,虽然不积极。维维安Sassen认为这感伤的照片礼物。人面对悲伤,有一种忧郁,观众会觉得他们属于另一个人的死亡率和感情。观众通过从一个被动的听众一个积极的参与者。
美国哈弗大学论文代写：摄影艺术
According to Sontag (1973) a photograph is considered to be invaluable historical evidence as it is one of the main art forms which give the humans a subconscious memory recollection and recall of the incidents associated and pertaining to that photograph and make people relish the moment after many years too. It is a non-intrusive method of showing the reality with a stealth background. The human emotions such as happiness, pain or love or giving or forgiving as linked with reality can never be understood in a photograph. They stand as a pillar without emotions and that it is up the viewer to deduce the concerned feelings (Sontag, 1973). In the case of this picture there are hidden elements such as what the person is doing outside, near a rock, in nature in a dishevelled form etc. These answers or the background is hidden and this is what actually allures the viewer to look closer.
美国哈弗大学论文代写：摄影艺术
Nostalgia is the main aspect reflected in the photograph as it hides the human emotions like pain and agony or fear suffered by the gleaming eyes reflected in the photograph. The nostalgia is present because humans would have gone through similar sentiments before. It can be seen and felt, but the situation in which it is felt cannot be easily associated with. It is a tell tale sign of a piece of sentiment embedded in each and every individual’s life. Photography promotes nostalgia (Sontag, 1973). Sontag further more states that sense of pathos is being advocated, although not actively shown. Vivian Sassen’s photograph presents this pathos. The person is presented with sadness, there is a sense of something melancholy and the viewer gets the feeling that they are part of another person’s mortality and feelings. The viewer transits from being a passive listener to an active participant.
