论文代写：声音
妇女有条件使用陈规定型观念来对抗或利用她们的优势。女性的声音是女性主义讨论中的一个重要讨论。这不是一项关于性别和女权主义的新研究。然而，声音更多时候是针对文化和社会地理的。 “声音”被表现为个人声音或集体社会政治自我。这种声音在生理和话语方面并不常见。 Delph-Janiurek试图从语言学家和语音学家的角度理解这些方面的声音。作者提出了两个关键论据。首先，应该在重复风格化的背景下考虑性别化的声音。在这一点上，声音被视为“表演性别”，甚至有助于使用声音的性别身份。第二个说法是，声音具有地理和空间，必须在该空间中理解。声音很重要，例如，鼻腔声音表示病人或患有感冒的人，而呱呱叫的声音是学术声音。在语音质量和性别方面，一些因素如音高和音道共鸣等被视为人的性别的有力指标。
论文代写：声音
更高的音高将成为女性的声音，而狭窄或更低的音调则是男性的声音。一个女性的声音是非常惊人的，被认为与软性和从属关系。另一方面，男性的声音更加敏捷，而且速度缓慢，通常与逻辑，推理和力量联系在一起（Delph-Janiurek 260）。不能认为它只是解剖学决定一个人的声音。即使声音盒和固有的生理在音高范围内发挥作用，性别也不是由他们单独决定的。所有人都有一定的控制权，并且基于这种控制权，他们行使了作为女人或男人的权利，或者作为权威的声音而不是顺从的声音（Delph-Janiurek 263）。有一些流行的理论认为女性可以根据情况改变或调整自己的声音。据说英国一位着名的总理玛格丽特·撒切尔曾试图专注于改变她的声音或使她的声音风格化，以使声音更具权威性。她想避免在典型的女性刻板印象下被盖章（Delph-Janiurek 264）。当人们试图理解语音时，社会阶层和更多的概念就出现了。
论文代写：声音
Women are conditioned to use stereotypes either to battle them or use them to their advantage. Women’s voice is a major discussion in feminist discussions. This is not a new study in gender and feminism. However, voice is presented in reference to cultural and social geography more often. ‘Voice’ is represented as individual voice or collective socio-political self. It is not often that voice is represented in the context of physiological and discursive aspects. Delph-Janiurek tries to understand voice in those aspects as understood from the context of the linguists and the phoneticians etc. The author makes two key arguments. Firstly, gendered voices should be considered in the context of repeat stylizations which are carried out with it. Voices are seen to “perform gender” at this point and even contribute to a sexualized identity to the use of the voice. The second argument is that voices have geography and a space and has to be understood in that space. Voice is significant, for instance, a nasal voice indicates a sick person or someone with a cold, and a croaking voice is an academic voice. In terms of voice quality and gender, some elements such as pitch and the tract resonance etc. are seen to be strong indicators of the gender of the person.
论文代写：声音
A higher pitch will be a feminine voice, while a narrow or lower pitch is the male voice. A feminine voice is much shriller and is seen to be associated with softness and subordination. On the other hand, the masculine voice is much more intonated and is slow and is usually associated with logic, reasoning and power (Delph-Janiurek 260). It cannot be argued that it is just anatomy that decides the voice of a person. Even if the vocal box and the inherent physiology play a role in pitch range, gender is not decided by them alone. All people have a certain amount of control over it and it is based on this control that they exercise their right to be heard as a woman or man, or as an authoritative voice versus a submissive one (Delph-Janiurek 263). There are popular theories that women can change or adapt their voice based on situation. One of the notable Prime Ministers of the United Kingdom, Margaret Thatcher, was said to have tries to focus on changing her voice or stylizing her voice in order to sound more authoritative. She wanted to avoid being stamped under a typical women stereotype (Delph-Janiurek 264). Notions of social class and more come into the picture as one tries to understand voice.
