本文是一篇音乐赏析，罗伯特·温特在《舒伯特》杂志的一篇新文章中指出，《慢节奏》和《安蒂诺》中间的情节“就像舒伯特的作品一样接近精神崩溃”。升c小调高潮之后是升c大调的平静阶段。这种变异的用法又回到了第一集，产生了更强烈的悲伤。在这个重述部分的159小节中，添加了钟状重复音。重音存在于第159小节和第160小节的重复音符中，但在第162小节、第167小节和第168小节的重复音符中消失了，因此这些重复音符保持在相同的动态水平上。这样的配置有助于传递一种绝望感。本篇代写论文文章由英国论文时Essay Times教育网整理，供大家参考阅读。
Robert Winter in the New Grove ‘Schubert’ article suggests that the middle episode in the slow movement Andantino ‘comes as close to a nervous breakdown as anything in Schubert’s output’. After the C-sharp minor climax comes a serene phase in C-sharp major. Such usage of variation leads back to the first episode, generating more intense sadness. In the bar 159 of this recap section, bell-like repeat notes are added. Accents exist in the repeat notes of bars 159 and 160, but disappear in those of bars 162, 167 and 168, so that those repeat notes remain in the same dynamic level. And such configuration helps delivering a sense of hopelessness.
The third movement is regarded as transformation based on the opening movement of the sonata. At the beginning of the third movement, arpeggiated chords are used as reminiscent of the final bars of the preceding Andantino, extending the arpeggiated sonorities and the feeling of sadness. However, playful and skipping chords could still be heard in this part, which seemingly reveals the re-emergence of hope. Owing to the 3/4 rhythm dance style and the melodic accompaniment by the left hand, delighted spirit could also be found in the trio, slightly solemn though it might be. It seems that the right hand is playing a serious song in the middle register while the left hand is frequently shifting between bass and treble, simulating a scene where flute and double bass/cello are accompanying to carry on a lively conversation. Hence, the waltz style and a sense of airy lightness are reflected.
The fourth movement was back to relaxed and positive style. The theme of fourth movement came from the first sonata of Schubert’ s three last sonatas, which in A minor, D537, composed ten years ago(music example); but except the theme, it was mainly modelled based on the Rondo of the Beethoven’s sonata Op.31 no.1 (Music example).
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