代写论文：景观艺术
在此期间，景观艺术的焦点在主题和属性上发生了变化。不同形式的山水画出现，山水画也不存在。它被用来作为一种模式来展示除历史，文化和社会时刻之外的哲学思想（Hill和Minghelli，2014）。当风景画作品转化为摄影艺术时，摄影实践逐渐发展起来，而这恰恰是一种比艺术作品更容易捕捉图片的方式。
代写论文：景观艺术
在意大利语中，平等是一个新的体系，已经获得了良好的文化和制度层面。此外，摄影被认为是次要的，而不是山水画，艺术评论家坚持认为，激进的思想和知识分子的做法只能通过绘画的手段而不是摄影。新的对象被用来创造这些艺术作品。除了历史事件和文化习俗的表现之外，它还用于探索空间研究，文化变迁，电影，文学，美学，地理和音乐。人们对核心问题的承诺仍然是关注的领域（Hill和Minghelli，2014）。结果，新的属性被用来描述相同。题材发生了变化，山水画可以作为完美的促进者，吸引目标读者的关注。
代写论文：景观艺术
Over the period, the focus of landscape art changed in terms of the subject and properties. Different forms of landscape paintings came into existence and there were no instances when landscape paintings diminished. It was then used as a mode to demonstrate philosophical thoughts in addition to historical, cultural and social moments (Hill and Minghelli, 2014). Photographic practice evolved when landscape art works were converted to photography and this happened to be an easier way to capture pictures than the art works.
代写论文：景观艺术
In the Italian context, medianity was a new system that has gained a good cultural as well as institutional dimension. Additionally, photography was considered secondary than the landscape painting and art critics insisted that radical thoughts and intellectual practices can be exposed only by means of painting than photography. New objects were used to create these art works. Apart from the representation of historic events and cultural practices, it is used to explore spatial studies, cultural changes, cinema, literature, aesthetics, geography and music. The commitment of people to the central issues remained as the area of concern (Hill and Minghelli, 2014). As a result, new properties were used to depict the same. The subjects changed so that landscape paintings could be used as the perfect facilitators to gain attention from the intended audience.
