代写论文：故事讲述—死亡
在维吉尔的故事中，厄洛斯被看作是一种分散注意力的东西，奥维德在《变形记》中认为厄洛斯是一种宇宙的力量，它的目的是连接恋人，而它必须不惜一切代价(奥维德和桑蒂斯)予以否认。尽管它会分散注意力，但对于奥维德来说，它也会在朋友之间制造战争。在其中的一个故事中，奥维德描述了一个猎人，他被周围的仙女包围，她是狩猎女神戴安娜。猎人一直在和他的朋友们打猎，但当女神向猎人放水的时候，他变成了一头牡鹿。这使他成为他和他的朋友们打猎的猎物。猎人被猎狗杀死了，这是一个悲伤的结尾，表明了对宇宙力的紧急否定，这只意味着将爱人和人联系在一起，但却带来了不希望得到的结果。在另一个故事中，奥维德将厄洛斯描述为伤害女性灵魂的原因，直到死亡是确定的。底比斯的女王，塞塞勒，她怀上了朱庇特的种子，知道朱诺生气了(奥维德等人)。
代写论文：故事讲述—死亡
在对朱庇特的请求中，塞姆勒要求他和她做爱，就像他和朱诺一样，在这个过程中，朱庇特最终摧毁了她。这也是一个很好的理由，因为它说明了它的毁灭力量只会导致死亡。同样的，奥维德在性爱中对爱人的命运做出了相同的解决方案，当厄洛斯统治他们的心灵并粉饰女性的心灵时，正如在《疲劳的海洋》和《水仙花》中所讨论的，厄洛斯让爱欲者遇见死亡。令人厌倦的是，在成为一条蛇和女人和男人做爱的过程中，女人在性爱中比男人更快乐，而在愤怒的朱诺(Juno)中，他失明了。同样的，那喀索斯，与性无关，是为了爱上一个若虫。尽管水仙和回声在回声后相遇，但那西塞斯却跑开了，羞愧的回声变成了一块石头。那西塞斯，爱上了自己，爱上了他在水中的美丽的倒影，结束了他的自杀，假设他的死亡没有任何人。因此，奥维德也得出了类似的结论，那就是在情人的生命中，到达的厄洛斯。故事讲述了厄洛斯对女性灵魂的不同影响，她们最终会用迟钝的物质或会议代替他们的身体，拥抱死亡。所有的目的都有一个共同点，那就是Eros被认为是具有破坏性的，尽管它是一种宇宙力量，但它必须不惜一切代价予以否认。否认的代价要比死亡的确定性低。
代写论文：故事讲述—死亡
As much as Eros is seen as a distraction in Virgil’s tale, Ovid in Metamorphoses considers Eros as a cosmic force meant to connect lovers, and it must be denied at all costs (Ovid and Sandys). As much as it creates distraction, for Ovid it also creates war even among friends. In one tale, Ovid describes a hunter who is mesmerised by looking at nymphs surrounding Diana, the goddess of hunting. The hunter had been hunting for a stag with his friends, but when the goddess puts water on the hunter he is turned into a stag. This makes him the prey that he and his friends were hunting. The hunter gets killed by his hunting dogs, a sad end indicating the emergency denial of the cosmic force of Eros which is only meant to connect lovers and people but gifts undesired results. In another tale, Ovid presents Eros as the reason for damaging the female psyche until death is certain. The queen of Thebes, Semele, who becomes pregnant with Jupiter’s seed, knowing which Juno is angry (Ovid et al.).
代写论文：故事讲述—死亡
On request to Jupiter, Semele asks him to have sex with her as he had with Juno, and in the process Jupiter ends up destroying her. Again, a good reason for stating away from Eros, as it spells out its destructive force only leading to death. Similarly, Ovid makes identical solution about the fate in the life of lovers when Eros rules their minds and whitewashes the psyche of women, as discussed in Tireseas and Narcissus where Eros makes the lovers meet death. Tireseas, on becoming a snake and having sex as a women and men, concludes that women have more pleasure during sex than men, and with it came his blindness from the angry Juno. Likewise, Narcissus, having nothing to do with sex is made to fall in love with Echo, a nymph. Although Narcissus and Echo meet after Echo pursues him, Narcissus runs away and the ashamed Echo turns herself into a stone. Narcissus, in love with himself, on falling in love with his beautiful reflection in water, ends his life by suicide, assuming to be with his death without anyone. Thus, Ovid also has a similar conclusion of the fate that arrives with the arrival Eros in the lives of lovers. The tales present a varied impact of Eros on the female psyche, who either ends up replacing their body with dull matter or meeting and embracing death. All the ends have one thing in common that Eros is considered destructive, and though it is a cosmic force, it must be denied at all costs. The denial is less costly than the certainty of death.
