代寫論文-艾倫·洛馬克斯的影響。艾倫·洛馬克斯花了60多年的時間致力於鼓勵人們欣賞和了解世界各地的民間音樂。上世紀50年代，他為哥倫比亞唱片公司(Columbia Records)編輯並匯編了18卷LP系列的《世界民間音樂選集》(anthologizing folk music of the world)，多年來，他的作品為類似的聯合國教科文組織世界音樂系列奠定了基礎。洛馬克斯與愛爾蘭的西莫·恩尼斯(Seamus Ennis)、意大利的叠戈·卡皮泰拉(Diego Carpitella)、蘇格蘭的哈米什·亨德森(Hamish Henderson)和英國的彼得·肯尼迪(Peter Kennedy)等人的收藏和合作，很容易被認為是為這些國家的民謠和音樂復興奠定了基礎的項目。通過電視和BBC廣播，洛馬克斯和他的同事們成功地展示了英國人民以及世界各地的民間音樂。
The work and life of Alan Lomax were completely dedicated to the preservation of his believes that the folklore comes from amidst the common people. The efforts made by Loman were awarded in 1984, at the hands of President Reagan in the form of the National Medal of Arts. He also received the 1993, National Book Critics’ Circle Award for Nonfiction for The Land Where the Blues Began, 1995 the Folk Alliance Lifetime Achievement Award, in 2001 and Honorary Doctorate in Philosophy from Tulane University and in 2003 a posthumous Grammy Trustees’ Award. He was also named the Library of Congress Living Legend in 2000.
In the wake of the 9/11 terrorist attacks in Washington and New York in 2001, the UNESCO gave Universal Declaration of Cultural Diversity. It was an acknowledgement for the need of preservation of intangible culture and languages. This requirement is now considered to be equally important as the need of fortification of the personal human rights. Cultural diversity is an important aspect for the survival of human beings just like the biodiversity is essential for the survival of nature. These ideas resonated believes of Alan Lomax which he nurtured and worked for several years, thereby giving him the credibility and sort of success to his long desired objectives. Lomax peacefully retired in the year 1996 and lived Florida. He died on July 19, 2002 (Anon 2001). His work and life would always be remembered as the source of great influence on the entire popular music world.
Upon his return to the USA in 1958, Lomax began his field trips in the Southern parts of the country. This in the beginning of the 1960s led to the recordings of the Southern Journey nineteen albums released on the Prestige International and Atlantic labels. With the patronages of the University of the West Indies, in 1962, Lomax did a thorough survey of old-style music in the Eastern Caribbean. Both these researches were made in stereo. In 1930s, he made the recordings of Bahamian and Haitian while in 1967 for the Santo Domingo. In the Caribbean region alone Lomax made recordings of about 150 hours of music, konts or story-songs and interviews.
In the 1960s, Lomax published the revolutionary anthology Folk Songs of North America. This was indicative of his increasing curiosity in the connection between culture and the style of folk songs. This extending obsession of Lomax soon cultivated into an enormous program of exploration into sensitive behaviour spanning the years 1961 all the way through 1995. It was located initially at the Columbia University and then at Hunter College. Lomax along with his co-workers such as anthropologist Conrad Arensberg of Columbia University, musicologist Victor Grauer, Irmgard Bartenieff and Forrestine Paulay of the Laban Dance Notation Bureau worked together to devise the methodologies such as Choreometrics, Cantometrics, and Parlametrics, which assisted in analysing the dance, song and speech. They published the preliminary results in 1968 in the American Association for the Advancement of Science, Publication No. 88, under the name Folk Song Style and Culture, and were again reprinted by Transaction Books, New Brunswick, NJ (De Laban & Lomax 1969).
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