Film and drama in Korea- an Analysis of Cultural Aspects, Local and Global Significance
The Globalization as well as the Glocalisation of the Korean Drama is assessed as follows.
The scenario took a positive turn in the 1980’s when the government relaxed its control over the Films, and for the very first time, the Korean Film industry began to gain popularity on an international level. The film director became the first director from Korea to showcase Films in the European film festivals and also brought several International laurels to Korea. From then on the Korean film industry knew no bounds of success and has been thriving till date. The government control has become vey less and the industry has received success at the local box office equivalent rather exceeding at many occasions, the blockbusters movies of Hollywood. The biggest success of all was the film Shiri, which exceeded the collections of some remarkably successful movies like Titanic and The matrix. Other major successes of this time are Joint Security Area, Friend and My Sassy Girl. The trend continues, and the Korean Film Industry is till date able to produce movies which have achieved tremendous success to the extent that the American film industry (Hollywood) have requested rights to remake the movies My Wife is a Gangster, Mare (remade as The Lake House), Oldboy, My Sassy Girl, A Tale of Two Sisters and Joint Security Area . Some the Korean film industry’s works that claimed distinction and honor are– Oasis at the Venice Film Festival, Oldboy at the Cannes Film Festival, the director Kim Ki Duk at the Berlin Film Festival (Lindsay Hansen, 2006). However, the domestic success of the Korean films is attributed to the government laws which limits the number the movies to be imported from other countries.
在韩国的电影和戏剧文化方面分析，本地和全球意义
的全球化以及韩剧Glocalisation的是，评估如下。
该方案在1980年的时候，政府放松其控制权的电影，采取正转的第一次，韩国电影业在国际上开始流行。该片导演成为第一个展示韩国电影在欧洲电影节的导演，也带来了一些国际桂冠韩国。韩国电影业从此知道成功没有止境的，一直蓬勃发展，直到日期。政府控制已成为维伊少，该行业在当地的票房相当于在许多场合，好莱坞大片电影，而超过已获得成功。最大的成功是电影“生死谍变，这超过了一些非常成功的电影，像”泰坦尼克号“和”矩阵的集合。这段时间的主要成就是联合安全区，朋友和我的野蛮女友。趋势继续下去，韩国电影产业，直到日期能够生产已取得了巨大的成功，美国电影业（好莱坞）的范围内，已要求权利重拍电影我的老婆是大佬，马雷（重拍成电影湖楼）Oldboy，我的野蛮女友，两姐妹与联合安全区的故事。一些韩国电影业的作品，声称在威尼斯电影节上的区别和荣誉是绿洲，Oldboy在戛纳电影节上，导演金基德在柏林电影节（林赛·汉森，2006年）。然而，国内的韩国电影的成功归因于政府的法律，限制了一些从其他国家进口的电影。
